It will feature paintings, drawings and sculpture inspired by Paper Melodies, a composition by Jason Treuting of So Percussion. I said, “Let him.” Gibbons borrowed Lubbock guitarist Steve Lotts’ Strat and played one blues number with the band . The original painting is SOLD, however signed and numbered prints are available. In 2011, I wrote an article for Lone Star Music Magazine announcing three new artists from Lubbock to watch: Charlie Shafter, William Clark Green and Brandon Adams. The Feast day of St. Cecilia is just around the corner (22 November), and the story of how St. Cecilia became Patron of music and musicians is, to say the least, surprising. Peter Medhurst plays John Field’s Nocturne No 5 and Chopin’s Nocturne in Em Op 72 No 1 on the piano and discusses the use of the word ‘nocturne’ in the works of James Whistler. . His friends who dined and performed there included Stevie Ray Vaughan, Joe Ely,Jimmie Dale Gilmore, Terry Allen, Lloyd Maines and national stars like Tom T. Hall and Waylon Jennings. . Even in his portrait series, Khnopff goes past a mere pictorial description of a scene — these are evocations, not observations.
Austin is the Live Music Capital of the World. This large painting is inspired by the musicians’ gear at our house concert on Feb. 12, 2011, which featured The Prairie Scholars aka Andy & Jessica Eppler, Lubbock natives who are now firmly ensconced in Longmont Colorado, and our good friend Doug Haines aka Doctor Skoob, of Lubbock via Texas Tech who is now a master of literature in North Carolina. 1. They leave her to bleed to death for three days, and she continues to preach until her death. Cecilia holds a DMA in Piano Performance from the University of Nebraska-Lincoln. Wilde writes Salomé in French (1893), translates it to English in 1894, and the first English edition is graced with illustrations by the young, dashing, madly-talented Aubrey Beardsley. Percy Shelley made a lovely description in his Letters from Italy (1899): The central figure, St. Cecilia, seems rapt in such inspiration as produced her image in the painter’s mind; her deep, dark, eloquent eyes lifted up; her chestnut hair flung back from her forehead — she holds an organ in her hands — her countenance, as it were, calmed by the depth of its passion and rapture, and penetrated throughout with the warm and radiant light of life. Here’s a beautiful art deco poster by Ludwig Hohlwein.
Listening to Schumann is an excellent example: here is a person who is playing the piano. Last year, the Epplers took advantage of their Lubbock roots and toured with legendary Texas songwriter and Flatlander Butch Hancock, also from Lubbock.
The opening line of Gilmore’s “Where You Going” is: “I’ve seen crimson roses growing through a chainlink fence.” To me, that line evokes the idea that roses are both wild & beautiful, and though often tamed roses cannot be restrained by human culture. My home has long been known affectionately as the Lubbock Music Consulate to South Austin. . . Peter Medhurst’s Venice – photos, . *One subject, one set of killer Illustrations, a masterful art deco poster, and two over-the-top-decadence Klimt paintings: Salome is an exquisite subject that fascinated many artists, writers, thespians and musicians in fin de siècle Vienna. I then began producing shows in Austin featuring other new musicians from Lubbock.
The second movement, Grablegung comes from the Entombment scene on the predella (the lower panel) of the altarpiece. Richard Strauss attends a Berlin performance of Wilde’s Salome in November 1902. ISSN: 2368-7045 | Copyright © 2011-2020 - All Rights Reserved Museland Media Inc. It is followed by a contrasting list of paintings that have been inspired by identifiable pieces of music, Plan for a City Gate in Kiev (1869) – V Hartman (left), The Great Gate of Kiev from Pictures at an Exhibition (1874) by M Mussorgsky (right), Music: M Mussorgsky – Pictures at an Exhibition (1874), Music: S Rachmaninov – Isle of the Dead, tone poem for orchestra (1908), Painting: A Böcklin – Isle of the Dead (5 known versions of the painting 1880-6), Music: P Hindemith – Mathis der Maler, opera (1932-5), Painting: M Grünewald – Isenheim Altarpiece (1506-15), Music: O Respighi – Trittico Botticelliano (1927), Paintings: S Botticelli – La Primavera (1482), Adoration of the Magi (1475), The Birth of Venus (1486), Painting: M von Schwind – Symphony (1852), Music: L van Beethoven – Fantasia in C for Piano, Soloists, Chorus and Orchestra (1808), Painting: M von Schwind – Fremd bin ich eingezogen (1859), Music: F Schubert – Opening song of Winterreise (1827-8), Painting: F Leighton: Lieder ohne Worte (exhibited 1861), Music: F Mendelssohn – Lieder ohne Worte (1829-45) Leighton borrowed the title, Painting: P Mondrian – Boogie Woogie (1942-3), Music: The general influence of Boogie Woogie from the late 1930s & early 1940s, Lecture/study day for
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