If you think that you can handle this
We don't care; we're driving Cadillacs in our dreams Let me live that fantasy. That kind of luxe just ain't for us
It don't run in our blood [Verse 2]
[Chorus] How do we save us. But every song's like You gotta know who you're messing with You gotta know who you're messing with
It debuted at #1 in New Zealand, and eventually topped the Billboard Hot 100, outranking Katy Perry’s “Roar” and Miley Cyrus’s “Wrecking Ball”. If you think that you can handle this
[Intro]
It just might take me to the bottom We're savages, we're savages
On the level with you How do we save us from lashing out?
What is wrong
And we'll never be royals (Royals) But everybody's like
Yeah The good, the bad, the ugly. (Oh, oh-oh) From burning down.
Can't you see You can call me queen bee Make damages, damages You and me come together
[Video by Joel Kefali] If you think that you can handle this Who's to say Terrify my life now We don't care; we're driving Cadillacs in our dreams, We don't care; we aren't caught up in your love affair, Been Thru a Lot by TM88, Young Thug & Lil Yachty, United State of Pop 2013 (Living the Fantasy) by DJ Earworm, Google Translate Sings: "Royals" by Lorde by MALINDA, Royals by Scott Bradlee's Postmodern Jukebox (Ft. Puddles Pity Party), Royals by Orla Gartland (Ft. Lauren Aquilina). The pain of you is lovely [Bridge]
Then you better know who you’re messing with The song has been praised for its minimalistic beat and mature lyrics, which detail the New Zealand native’s complicated relationship to media, fame, and decadent lifestyles. What is right It don't run in our blood Woah, woah, woah, woah Savages, savages, we're savages Let me live that fantasy [Chorus x2] Let me be your ruler (Ruler)
Then you better know who you're messing with
What's yours could soon be mine [Verse 2] [Verse 1]
You and me come together. from burning down.
We didn't come from money Woah, woah, woah, woah
Lorde described the song as a lighthearted critique of hip-hop culture and fashion – a stance that prompted some critical backlash. Really, it’s more like a love letter to the form. [Produced by Joel Little] My friends and I, we've cracked the code [Verse 2]
‘Royals’ is a classic origin story detailing its 16-year-old writer’s scrappy social scene that reveals her to be no less impervious to beauty and power than her assumed targets. And baby, I'll rule (I'll rule, I'll rule, I'll rule) We're savages! If we make up one more time We're bigger than we ever dreamed Laaaa, lalala, lalala, laaaa, lalalala We need bandages, bandages.
Savages Lyrics: Murder lives forever and so does war / It's survival of the fittest, rich against the poor / At the end of the day, it's a human trait / Hidden deep down inside of our DNA / One And baby, I'll rule (I'll rule, I'll rule, I'll rule)
That could fix the mess you started to make damages, damages.
Savages, savages Royals Lyrics: I've never seen a diamond in the flesh / I cut my teeth on wedding rings in the movies / And I'm not proud of my address / In a torn-up town, no postcode envy / But every song's (Laaaa, lalala, lalala, laaaa, lalalala) We don't care; we aren't caught up in your love affair
Woah, woah, woah, woah I cut my teeth on wedding rings in the movies
Then you better know who you're messing with Life is great without a care The good, the bad, the ugly.
We crave a different kind of buzz
We make damages, damages We make damages, damages. In a torn-up town, no postcode envy Savages, savages I was listening to a lot of hip-hop and I kind of started to realize that to be cool in hip-hop, you have to have that sort of car and drink that sort of vodka and have that sort of watch, and I was like, “I’ve literally never seen one of those watches in my entire life.”, I was definitely poking fun at a lot of things that people take to be normal. And everyone who knows us knows [Pre-Chorus] We're savages! Fix the mess you started now If you think that you can handle this
She uses her low-slung suburban gospel to transform a defiantly simple beat — a huge flex amid 2012’s maximalist pop scaffolding — and betrays her fascination with opulence with vocal harmonies that glitter like sunbeams glinting off a twirling diamond. You and me come together And baby, I'll rule (I'll rule, I'll rule, I'll rule)
[Chorus] Make damages, damages Can you handle this? The pain of you is lovely.
While ‘Royals’ topped charts globally, it ultimately didn’t turn Lorde into a commercial pop behemoth but rather set her up for precisely the ‘different kind of buzz’ she sang about: namely the intimate, aesthete’s favorite, Melodrama. You can call me queen bee
Gold teeth, Grey Goose, trippin' in the bathroom
We're savages! We’re savages, we're savages How do we save us from lashing out? Savages, savages, we're savages
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