The echoes took for…, Music | Sasha Geffen on Transmissions: The Music of Beverly Glenn-Copeland, Radical Presence: Black Performance in Contemporary Art.
Although it began in Europe, many American artists George Maciunas, Dick Higgins, Alison Knowles, Benjamin Patterson, Emmett Williams were at the centre of the group, which soon spread to the USA and Japan… Fluxus Artists Please note: this event is NOT hosted at The Studio Museum in Harlem. Benjamin Patterson Contemporary Arts Museum Houston Julie Thomson.
See examples of Benjamin Patterson’s work in the African American Performance Art Archive. Benjamin Patterson: the Fluxus artist who composed with ants. Performance art. Roulette: 509 Atlantic Avenue, Brooklyn Active in Fluxus from its earliest beginnings, Patterson presented his performance event Paper Piece—in which participants fold, crumble, tear, and wave paper according to instructions—at the first Fluxus Festival in Wiesbaden, Germany in 1962. His group exhibitions include Fluxus 50, 1962–2012: Fluxus in Wiesbaden, Museum Wiesbaden, Germany (2012); Sounds and Lights, Centre Pompidou, Paris (2004); Fluxus in Germany, 1962–1994, Kunsthalle Fridericianum, Kassel, Germany (2002, traveling); The Fluxus Constellation, Museo d’Arte Contemporanea di Villa Croce, Genoa, Italy (2002); Leonardo in Action and Poetry, Museo Ideale Leonardo da Vinci, Vinci, Italy (2001); Fluxus in Amerika, Galerie Vostell, Berlin (1999); Revolution: Art of the Sixties, Museum of Contemporary Art, Tokyo (1995); Fluxus in Germany, 1962–1994, Kunstsammlung Gera, Germany (1995); Fluxus and Happenings, Museo Vostell, Malpartida, Spain (1994); The Theater of Refusal: Black Art and Mainstream Criticism, Fine Arts Gallery, University of California, Irvine (1993–94, traveling); The Seoul of Fluxus, Seoul Art Center (1993); In the Spirit of Fluxus, Walker Art Center, Minneapolis (1993, traveling); Fluxus Deluxe, Pittsburgh Center of the Arts (1991); Something Else Press, Granary Books Gallery, New York (1991); Fluxus!, Institute of Modern Art, Brisbane, Australia (1990); Ubi Fluxus ibi Motus, Venice Biennale (1990); Pianofortissimo, Mudima Gallery, Milan (1990); Fluxus & Co., Emily Harvey Gallery, New York (1989); The Theatre of the Object, 1958–1972, Alternative Museum, New York (1989); 17th Bienal de Sao Paulo, Parque Ibirapuera (1983); Fluxus Vaudeville Tournament, Neue Galerie, Kassel, Germany (1982); Festrum Fluxform, Museum Wiesbaden, Germany (1982); Fluxus Etc., Cranbrook Museum of Art, Cranbrook, MI (1981); Fluxexhibit, Galerie A, Amsterdam (1976); Fluxshoe Exhibition, Falmouth, England (1972–73); Fluxus Festival, Stadtische Museum, Wiesbaden, Germany (1962); and Fluxus Sneak Preview, Galerie Girardon, Paris (1962). Benjamin Patterson: Born in the State of FLUX/us is a retrospective of the artist’s career, which now spans nearly fifty years. Throughout his career, Patterson has explored the notion of systems in art, music and text. The exhibition provides audiences with their first comprehensive look at Patterson’s work and explores his contributions to both Fluxus and the larger contemporary art landscape. The High Line: Enter at 14th Street and 10th Avenue Co-organized by Grey Art Gallery, The Studio Museum in Harlem and Performa, THE STUDIO MUSEUM IN HARLEM 144 W 125th St New York, NY 10027 | Of all the Fluxus artists, it is Patterson who explores the connection between action and music, creating compositions for both the body in action and unconventional playing of his instrument, the contra bass, through ordinary gestures and other actions. Co-presented by The Studio Museum in Harlem and the Goethe-Institut New York for Performa 13. Fluxus Artist Benjamin Patterson A selection of panels from “Riddle of the Runaway Earth (Benjamin Patterson 1934-2016).” All words in speech balloons are Patterson’s own. A part of Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, NYU (September 10–December 7, 2013) and The Studio Museum in Harlem (November 14, 2013–March 9, 2014). Street parking is available for free. The exhibition includes both early and recent work by the artist that range from annotated scores and books to painting and sculpture. Benjamin Patterson, REISEBÜRO FLUXUS, Wiesbaden, 1994. For the first time, his annotated scores and instructions for performances will be on exhibit. Benjamin Patterson is best known as a key figure in the international experimental artists’ network Fluxus, which was most active in the late 1950s and early 1960s but continues to the present day. The frogs are released and move across the grid according to a chance-based system; the performance evolves as a cacophony of sound as each participant’s frog lands and stops in various quadrants. The retrospective will include his innovative Fluxus scores from the 1960s and other early works such as Duo for Voice, 1961 as well as the artist’s newest Co-presented by The Studio Museum in Harlem and the Goethe-Institut New York for Performa 13. Left Right. Your browser either doesn't support Javascript or you have it turned off. Co-presented by The Studio Museum in Harlem and the Goethe-Institut for Performa 13, Saturday, November 16, 2013, 1:00 and 4:00 pm
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